Rövid leírás:
Although Berg decided immediately after seeing Büchner’s play Woyzeck in May 1914 to set it to music, he did not complete his opera until 1922, with the Berlin premiere taking place in 1925. Using compositional sketches, diaries, notebooks and other archival material, Hall reveals the challenges Berg faced in completing his masterpiece.
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Hosszú leírás:
Although Berg decided immediately after seeing Büchner’s play Woyzeck in May 1914 to set it to music, he did not complete his opera until 1922, with the Berlin premiere taking place in 1925. Berg’s Wozzeck traces the composer’s slow but determined progress. Using compositional sketches, diaries, notebooks and other archival material, author Patricia Hall reveals the challenges Berg faced–from his induction as a soldier in World War I, to the hyper-inflation of the twenties. In addition to the precise chronology of the opera, the sketches show how Berg derived large-scale form from the Büchner text, and how his compositional style evolved during the nine years in which he composed the opera. A comprehensive visual database on the book’s companion website of the extant sketches from seven archives in the United States, Germany and Austria allows the reader to examine, for the first time, Berg’s sketches in high resolution color scans.
this study of the Wozzeck sketches will be an invaluable research resource for many years to come and should be on the shelves of every self-respecting university music library and in the library of every scholar interested in Bergs opera.
Több
Tartalomjegyzék:
Introduction
The Path to Wozzeck
The Inception of Wozzeck: 1914-18
Wir arme Leut’: 1919-1922
The Critical Years: 1923-25
Berg’s Büchner Text and the Genesis of Form
Master of the Smallest Link: The Sketches for Large-Scale Form
„Berg war Analysen freundlich gesinnt”: Analysis of Pitch Structure in the Sketches for Wozzeck
Conclusion
Catalogue of sketches for Wozzeck
Bibliography
